Apparently there’s some sort of virus going around. Bob Keefer has the news in the Eugene Weekly on what this means for the Artistic Director search etc. Apparently some sort of Track & Field event is also being postponed. No worries about football though, they’re still looking for a $825K…
Posts tagged as “Bach”
Seems like odd timing, with the performances to start next week. Here’s the email sent to the faculty – no mention of lintgate: Dear Friends, I wanted to be the first to share with you the news that we’ve made the difficult decision to eliminate the executive director position at…
Audio file here. Adams was a fierce supporter of former artistic director Matthew Halls during Lintgate, and the word down at the faculty club is that the festival’s PR flacks are not happy about this free publicity. OBF ticket info here, bio on Ms Adams here.
The Eugene Weekly has the report here: After the most tumultuous year in its history, the Oregon Bach Festival returns — its internationally acclaimed artistic director fired, its reputation tarnished by his mysterious dismissal and its parent University of Oregon’s botched, secretive handling of the whole situation and its schedule diminished. Yet the…
2/10/2018: The UO administration can’t even run a music festival, and they think we should trust them to pull off the 2021 IAAF Track and Field championships? The Eugene Weekly’s Bob Keefer, who broke the story of the firing of Bach Festival Artistic Director Matthew Halls back in August over…
I received this email last night – cleverly sent out just after Bob Keefer’s EW deadline: From: Oregon Bach Festival <[email protected]> Subject: Announcing OBF 2018 Date: January 17, 2018 at 7:45:05 PM PST Reply-To: [email protected] OBF is pleased to announce the 2018 lineup of concerts, community programs, and social events!…
Bob Keefer has the latest on the deBachle in the Eugene Weekly, from another drip of UO public records. Apparently OBF Exec Director Janelle McCoy was keeping a dossier on Halls’ various infractions, “small and smaller”, including photos of the depraved acts that took place at the house the festival…
12/11/2017 update: “At no time was I, or my agents, made aware of any of the complaints listed in Ms. McCoy’s timeline, with the exception of the dog scratches on the floor in 2015,” he wrote. So the grits were just a decoy. In the end it was all about…
Update: More Bach news in the EW from Bob Keefer, who has uncovered a 2016 firing of a Matthew Halls ally by Director Janelle McCoy, here: … In an Aug. 11, 2016, email to Doug Blandy, then the UO’s senior vice provost for academic affairs, McCoy wrote: “I believe I mentioned…
11/14/2017: Saul Hubbard has the latest in the RG here: … The document does, however, show a split between the university’s Office of Affirmative Action and Equal Opportunity and McCoy over how to reprimand Halls, an independent contractor who had just been given a multi-year extension and a raise. After…
10/19/2017: Amy Adams calls for Bach Festival transparency in Eugene Weekly op-ed. The gist is that the secrecy is about protecting the administrators, and that they are willing to damage the festival to do that. Read it all, this is just a snippet:
Berwick Hall, the new home of the Oregon Bach Festival, is an elegant building — small, modern, light-filled, with a performance hall that can seat up to 140, perfect for small-ensemble performances such as were given at the public reception on Oct. 8 celebrating the building’s opening. Windows abound — from virtually every desk in the office, light floods the space. That, sadly, is the only transparent thing about the festival these days.
The few scraps of information given to the public lead to more confusion than clarity: The festival renews artistic director Matthew Halls’ contract through 2020 and then abruptly fires him, issues an unconvincing press release and then claims that the relationship has “drawn to a close.” Both the university and Halls agree to not “disparage” the other party. Yet in that silence, both parties are discredited as the public struggles to guess at what has been concealed. That is how silence works — people fill it with whatever comes to mind.
… Confidentiality is not a virtue, it’s just a tool that ensures information stays with authorized people. And it can, like any tool, be misused. Because of confidentiality, the festival’s stakeholders are prevented from knowing if there was wrongdoing or ineptness or both. They are unable to prevent whatever happened from happening again, because they don’t have any relevant information. All that’s known is that the University of Oregon, in clinging to its self-imposed secrecy, may well be protecting someone’s interests, perhaps even its own. And it is doing so at the expense of the Oregon Bach Festival. …
10/17/2017: UO cuts Bach Festival Exec Director Janelle McCoy out of leadership role
But of course we’ll keep paying her and SVPAA Doug Blandy, and Johnson Hall will avoid having to do any honest soul-searching about why they keep making mistakes like this. I wonder what the next one is going be?
Bob Keefer has the latest in the Eugene Weekly:
A statement released this afternoon by dean of the University of Oregon School of Music and Dance confirms the names of the seven-person committee that is to direct the planning of the 2018 Oregon Bach Festival. Eugene Weekly reported the names based on a source on Oct. 9.
The statement also sets the date for the 2018 festival and confirms that some previously planned events, such as premieres of works by Richard Danielpour and Phillip Glass, will move forward.
Perhaps notably, it doesn’t mention the “guest curator” plan proposed by executive director Janelle McCoy in the immediate aftermath of the still-unexplained Aug. 24 firing of artistic director Matthew Halls. McCoy is not mentioned in today’s statement and has been virtually invisible in recent weeks.
Here is the full text of Dean Brad Foley’s statement:
Dear Friends of Oregon Bach Festival:
Following the grand opening of Berwick Hall earlier this month, all of us at Oregon Bach Festival are looking ahead to next season.
… To that end, I have assembled (and will chair) a highly-qualified artistic committeefrom the staff, faculty, and board to assist with planning for the 2018 Festival:
• Royce Saltzman, Director Emeritus and OBF Board member
• Michael Anderson, OBF Director of Artistic Administration
• Josh Gren, OBF Director of Marketing and Communications
• Steve Vacchi, Professor of Bassoon, OBF Orchestra member, and OBF Board member
• Sharon Paul, Professor of Choral Activities, Director of the UO Chamber Choir (an OBF ensemble)
• Peter Van de Graaff, KWAX Music Director, Program Director of the Beethoven Satellite Network, bass-baritone soloist
…
Brad Foley
Dean, University of Oregon School of Music & Dance
Quite a change from the lies in the Around the O post of Aug 27:
“We look forward to a wider range of programmatic choices, community events, and cross-departmental relationships with UO faculty, staff, and students – from the UNESCO Crossings Institute, the Department of Equity and Inclusion, and the UO museums, to traditional academic units such as the School of Music and Dance, food studies, classics, humanities, history, and planning, public policy and management. These partnerships,” says McCoy, “might include lectures, public seminars, classes, publications, interactive programming, and so on.”
Meanwhile the UO Public Records Office is still sitting on a number of records requests that might shed more light on Doug Blandy and Janelle McCoy’s roles in this fiasco – one now more than 5 weeks old:
9/22/2017: Bob Keefer has the latest in the EW here:
Thomas W. Morris, artistic director of the Ojai Music Festival in California, has urged Eugene Mayor Lucy Vinis to help the beleaguered Oregon Bach Festival secede from the University of Oregon and become an independent non-profit organization.
In a letter emailed today (Sept. 22), Morris wrote that the sudden and unexplained firing of OBF artistic director Matthew Halls on Aug. 24 harms not only the Oregon Bach Festival but hurts the image of Eugene itself. …
Uh, thanks for trying to help Mr. Morris, but the City of Eugene couldn’t even manage to keep the Jacobs Art Gallery open, or run the Mayor’s Art Show.
Also see this RG letter from longtime UO supporter Tom Bowerman:
I agree with the bulk of written commentary about the University of Oregon’s dismal explanation of Matthew Halls’ dismissal. My position began to solidify on reading UO’s written explanation, which seemingly explained nothing.
There is a pattern here and it has consequences, especially regarding some of the fiscal and reputational costs to the university. My thought in reading the UO’s explanation was: How much does the public relations team get paid for type of work? And the settlement costs?
Couldn’t these costs, across the broader pattern, in the millions, be better spent on education quality? …
And the UO PRO has now updated the PR log with some recent requests from journalists for more Bach docs.
9/18/2017: Did OBF’s Janelle McCoy run a harassment investigation on Matthew Halls?
If so it would probably be a violation of UO policy (see below), which requires that those receiving “credible information” of racial harassment report it to AAEO, which then decides on the investigation, etc. And yet the most likely interpretation of this new NYT report regarding the grits joke and the implications for the Bach Festival of the subsequent firing of Halls is that Ms McCoy decided to investigate Mr. Halls herself:
Mr. Mobley said he had thought no more of it until several days later, when he got an email from Ms. McCoy asking about the conversation, which had apparently been overheard and reported. “These insensitivities should not be tolerated,” she wrote in the email, which was obtained by The New York Times.
Mr. Mobley replied to her that while the broad outlines of the story were true — Mr. Halls had indeed spoken in a drawl — it was “not quite put together correctly.” He noted that he and Mr. Halls often teased one another.
“Trust me,” he added, “it’s been a couple patrons and audience members who’ve unknowingly said pretty insensitive things. Not Matt.”
The story was picked up by British media outlets. But Tobin Klinger, a spokesman for the university, said that the conversation with Mr. Mobley had not been a factor in Mr. Halls’s firing. And a lawyer for Mr. Halls, Charese Rohny, said that Mr. Halls “was never presented with anything that required a response” regarding any inquiry before he was fired.
Given Klinger’s truthiness record, his statements get a weight of 0.00, and reporters are making public records requests to try and find out what really happened. UO has not been listing these requests on the official log – a new low in official UO transparency, and one which perpetuates the selective leaks, official innuendo, and unofficial rumors which have characterized this mess.
The last OBF request was Bob Keefer’s, for the Halls contract and termination letter:
The relevant policy is here. Some excerpts (emphasis added):
III. Responsible Employees Reporting Obligations
Except as provided for in the Student Sexual and Gender-Based Harassment and Violence Complaint Response (Student Complaint Response Policy), Responsible Employees who receive Credible Evidence of Prohibited Discrimination, Harassment or Sexual Harassment involving an Employee, Student or Campus Community Member are required to promptly report that information as follows:
1. If the Credible Evidence relates to Sex Discrimination of a Student, Responsible Employees should report any information received to the Title IX Coordinator or to the Office of Crisis Intervention and Sexual Violence Support Services. (Note: The Student Complaint Response Policy applies to information disclosed by a student reporting sex discrimination and sexual harassment, including sexual violence. That policy may provide for different reporting obligations depending on the status of the employee receiving the report. Employees who receive reports of sex discrimination (including sexual harassment and sexual violence) against a student should reference the Student Complaint and Response Policy in order to determine their reporting obligations.)
2. In all other instances, Responsible Employees should report any information received to the Office of Affirmative Action and Equal Opportunity (AAEO).
Employees should be aware that AAEO is tasked with ensuring compliance with this policy and state and federal law. Therefore, while AAEO will work with employees, students and campus community members to ensure that they understand their complaint options, are protected from retaliation and are provided with interim measures as appropriate, AAEO employees are not advocates for individuals participating in the process.
The relevant definitions in the policy are:
A. Prohibited Discrimination is defined as any act that either in form or operation, and whether intended or unintended, unreasonably discriminates among individuals on the basis of age, race, color, ancestry, national or ethnic origin, religion, service in the uniformed services (as defined in state and federal law), veteran status, sex, sexual orientation, marital or family status, pregnancy, pregnancy-related conditions, disability, gender, perceived gender, gender identity, genetic information or the use of leave protected by state or federal law. “Unintentional discrimination” is a concept applicable only to situations where a policy, requirement, or regularized practice, although neutral on its face, can be shown to have disparately impacted members of a protected class. The concept is inapplicable to sexual or other forms of harassment which, by definition, result from volitional actions.
B. Discriminatory Harassment is defined as any conduct that either in form or operation unreasonably discriminates among individuals on the basis of age, race, color, ancestry, national or ethnic origin, religion, service in the uniformed services (as defined in state and federal law), veteran status, sex, sexual orientation, marital or family status, pregnancy, pregnancy-related conditions, physical or mental disability, gender, perceived gender, gender identity, genetic information or the use of leave protected by state or federal law and that is sufficiently severe or pervasive that it interferes with work or participation in any university program or activity, including academic activities because it creates an intimidating, hostile, or degrading working or university environment for the individual who is the subject of such conduct, and where the conduct would have such an effect on a reasonable person who is similarly situated.
H. Credible Evidence: Credible Evidence is evidence of the kind that prudent people would rely on in making personal or business decisions, which is not obtained: (1) during public awareness events (For example, “Take Back the Night,” and “survivor speak outs”); (2) as part of an Institutional Review Board-approved human subjects research protocol focused on Prohibited Discrimination; or (3) in the context of a required classroom assignment. (Note: If a faculty member believes that a classroom assignment may illicit a disclosure that would trigger obligations under this policy, the faculty member should make clear to students that an account provided in response to a classroom assignment, without more information, will not result in the university taking any action in response to the disclosure. This means that the university will not investigate the incident, offer interim measures or otherwise take step to remediate the behavior.)
K. Campus Community Member: Campus Community Member means a person participating in a university-sponsored program or activity, attending or wanting to attend an event on university owned or leased property, an independent contractor or vendor, a volunteer, a person applying for admissions, a person applying for employment, or a campus visitor or a person living on university-owned property. The term Campus Community Member excludes Employees and Students.
9/15/2017: RG calls for UO Trustee Ann Curry to investigate Matthew Halls firing
“Bach Debacle”, here:
… UO President Michael Schill could appease both groups of stakeholders by appointing a handful of university regents — perhaps headed by television journalist Ann Curry — to investigate. That, after all, is their job — to “supervise, coordinate, manage and regulate the UO,” a public university that, at least in this matter, is operating in a very private mode.
If, as the UO asserts, Halls’ firing had nothing to with the remark that he made to Mobley, the investigation can confirm as much. That would go a long way in restoring people’s lost faith in the UO.
Conversely, if it turns out Halls was fired because of the remark, the investigation would give the university the opportunity to come clean, hold accountable those who spun a different story and take the appropriate action to start anew with OBF.
Finally, if Halls — a private contractor, not a UO employee — was fired for crossing some ethical line, the investigation would bring that to light, too. …
And if the latter should be true, they could explain why whatever it is that Halls did was so bad he had to be fired immediately, but not so bad that UO could agree to keep it secret from his other current and potential employers.
9/13/2017: UO to pay Matthew Halls $90K for non-disparagement & gag-rule
The agreement is here. The RG’s Saul Hubbard has much more on this deal here.
It includes a promise by UO to give Halls 24 hours notice of public records requests. I’ve heard rumors of a request to UO for emails etc that might shed light on why whatever it was that Halls did was so bad he had to be fired immediately, but not so bad that UO had an obligation to warn his other employers and potential employers.
But so far there’s nothing in the Public Records Office log except the RG’s request for the contract and termination letter, which Hubbard posted earlier. So until new light has been shed on this, we’re stuck with the hypothesis that he was fired for disparaging comments about southern cuisine.
9/13/2017: UO to pay Matthew Halls $90K for non-disparagement agreement and 24-hour gag rule:
That’s from tweets from NY Times classical music and dance reporter Michael Cooper:
9/12/2017: Bach Festival’s fate passes from Blandy and the PR flacks to the lawyers
Bob Keefer had the scoop on the sudden disappearance of Oregon Bach Festival Executive Director John Evans last November, on his Eugene Art Talk blog, here: In a wide-ranging interview last week, Evans said he gave notice on Oct. 4 to the UO’s acting senior vice president and provost, Frances…
Bob Keefer has the rumor – but the details are behind his gated Eugene Art Talk blog, here.